KENNESAW, Ga. | Feb 7, 2023
Five diverse performances, including one from student organization, celebrate Black heritage
Āé¶¹“«Ć½y Bailey School of Music will celebrate Black History Month with a festival of five concerts, beginning Feb. 17 and running through Feb. 25. āMoving Forward, Togetherā features a myriad of creative talent, including choral, jazz, orchestra, gospel, and even an interdisciplinary production.
āThe Blueprint: #BacktoBlackā
On Friday, Feb. 17, the Black Musicians Coalition will kick off the festival with an evening dedicated to Black history: āā The student organization hopes to positively influence the experiences of Black students at the Bailey School of Music.
The Coalitionās president, Sydnee Goode (senior, Choral Music Education), says that itās āimportant that Black musicians have a safe space to justā¦be.ā Recent activities over the past year have included cookie decorating, a Friendsgiving dinner, and a couple of nights of Karaoke. Goode hopes that the Āé¶¹“«Ć½ community will continue to recognize that Black musicians attending the university are magic. āWe are the blueprint,ā she explains.
Award-winning Organization
Āé¶¹“«Ć½ formally recognized them last year, as the Coalition won numerous awards, including Student Group of the Year, and the Commitment to Diversity and Inclusion Award in the student group category. Goode has been surprised by the āimpact that we have on each other and the Āé¶¹“«Ć½ community. We created this interdisciplinary production to invite all Black creatives to create and share their brilliant ideas with the world.ā
, Interim Dean of the College of the Arts, says, āWe are so proud of Sydnee and all the student leaders of the Black Musicians Coalition. āThe Blueprintā is a wonderful, collaborative celebration of Black History Month that engages students from across our College and Āé¶¹“«Ć½.ā
āMoving Forward, Togetherā
The idea behind āMoving Forward, Togetherā was born out of the Bailey School of Music. Composer/musician , the faculty advisor for the Black Musicians Coalition and a music professor at Āé¶¹“«Ć½, explains that āwe are all on this journey together. The things that happened in the pastāfor example, slaveryāand the collision between the two cultures produced the music of the blues, which led to jazz and R&B, and then rock music. Thatās the music that came out of suffering, the music that we export to the globe.ā
Jackson explains why itās important for Āé¶¹“«Ć½ āto value the music [the students] grew up with, are interested in, or are culturally invested in. So, when students can put forward their own music, it not only brings them joy, but also legitimatizes it; it reaffirms that their music has value.ā He notes that there is a symbiotic relationship between diverse audiences and programming.
F.T.M.O. Tyrone Jackson
On Monday, Feb. 20, the Faculty Jazz Parliament will play featured music from Jacksonās numerous CDs. He says, āThis is an opportunity to invite folks to our campus for a great concert.ā Some selections include pieces written with African movements; heās excited that āour jazz faculty is so large, that we have every instrument we need: vocals, hornsāincluding two saxophones, a jazz trumpet, and a jazz tromboneāplus guitar, bass, and, of course, drums.ā
He has released four CDās, including his latest one, āF.T.M.O Tyrone Jackson,ā (From The Mind Ofā¦) which he describes as a āwonderful collaboration with a lot of different people.ā The CD is available on numerous music platforms, including Apple Music and Spotify.
Highlighting Black Excellence
Next up for the Black History Month Festival is āLift Every Voiceā on Tues., Feb. 21, featuring the Chamber Singers, Chorale, Treble Choir, and Menās Ensemble. This concert will feature a myriad of soloists as well as collaborative songs. On Friday, Feb. 24, , director, will lead Jazz Ensemble I, featuring Arlington Jones, piano, Jorge Ginorio, drums, and JesĆŗs Castro-Balbi, cello.
New Collaborations
The week will end with a moving concert by the Āé¶¹“«Ć½ Symphony Orchestra, led by , and the Āé¶¹“«Ć½ Gospel Choir, led by . This is the first time that the Symphony Orchestra and Gospel Choir have shared the stage.
Parker says, āIām very excited about this performance, programmed in collaboration with my amazing colleague, Oral Moses. All pieces on the program were written by Black composers, but the repertoire reflects several different eras, ranging from Florence Priceāthe matriarch of Black American composersāto the world premiere of a new work written by Āé¶¹“«Ć½ alumnus, Nicholas Felder. It also showcases a spectrum of Black and Black-influenced musical styles: the spiritual, gospel music, contemporary art music, and, in Daniel Bernard Roumainās work, hip-hop and spoken word. I canāt wait to share this diverse and thought-provoking program with our audience.ā
Tickets Now on Sale
Tickets for āThe Blueprint: #BackToBlackā are $5 for students and $8 for adults and are available . Tickets and reservations for all other concerts are available at MusicĀé¶¹“«Ć½.com or by calling 470-578-6650.
--Kathie Beckett
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